论文部分内容阅读
提起“泛音”,人们是比较熟悉的。它的色彩是那样的透亮、飘逸、活泼、动听。它的运用丰富了弦乐器的表现力。下面将泛音的一般规律作一介绍,供有关方面参考。我们要了解琴弦泛音的规律,首先需要弄清“分音原理”,也就是要明白“分音列”的由来。琴弦振动和音叉振动不一样,它不是一个简单的简谐振动,而是一个复谐振动。当一条琴弦振动时,在这条琴弦上产生许多波腹和波节的复谐波,可以把整个弦的振动看作是各
Mention the “overtones”, people are more familiar. Its color is so translucent, elegant, lively and pleasant. Its use enriches the performance of stringed instruments. The following general rules of harmonics for an introduction for reference. We have to understand the law of the piano overtone, we must first understand the “tonic principle”, that is, to understand the “sub-tone” origin. String vibration and tuning fork vibration is not the same, it is not a simple harmonic vibration, but a harmonic vibration. When a string vibrates, many antinodes of the antinode and node appear on this string, and the vibration of the whole string can be regarded as