论文部分内容阅读
明代戏剧出现各种声腔竞相发展的繁盛局面时,昆山腔和弋阳腔成了当时最大的两大声腔剧种。江西新建人魏良辅为昆山腔确立显赫地位,功绩卓著,史册垂名。可是相当一段时期以来,对于魏良辅是江西人还是别的地方人;当时是否有一个曲家魏良辅和一个当官的魏良辅,以及是“魏良辅创造了昆腔吗?”等一系列问题,一直存在争论。各有所见固然好,事实终归改变不得。
When the drama of the Ming Dynasty appeared the prosperous situation of competing vocalizations, Kunshan cavities and Yiyang cavities became the largest two major accent operas at that time. Wei Liangfu, a newcomer to Jiangxi, established a prominent position for Kunshan Cavity with outstanding achievements. However, for quite some time, whether Wei Liangfu was a member of Jiangxi or other local people; whether there was a composer Wei Liangfu and an ancillary Wei Liangfu at that time, and whether there was a series of questions such as “Did Wei Liangfu create a Kunqu?” debate. It is good to see everything but change things after all.