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二十世纪有关“画无新旧”的论述,最早可追溯至一九一四年的黄宾。他于此年发表的《新画法“序”》,对画学“新”“旧”问题有“画法常新,而尤不废旧”之说。“古今学者,事贵善因,亦贵善变。《易》曰:变则通,通则久……茫茫世宙,艺术变通,当有非邦城所可限者……尝稽,其历史所载,为因为变,不知凡几迁移。画法常新,而尤不废旧。西人有言,历史者,反复同一事实。
The twentieth century’s account of ”painting new and old “, the earliest dating back to 1914 Huang Bin. His ”New Painting Law“ published in this year has ”“ ”new, but not least used “ painting ”new “ ”old “ problem. ”Ancient and modern scholars, things are expensive, but also expensive.“ ”Yi said: change the pass, the general rule for a long time ... ... the vast universe, art workarounds, History contains, because of change, I do not know where the migration. Painting often new, but especially not discarded .Westerners have words, history, repeated the same fact.