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Poetic texts and poetological programs around 1900 claim a mode of thinking that exceeds the limits of rationality—beautiful thinking shallimply better thinking. In its most sophisticated utterances, poetry of Classical Modernism pretends to give better insights into the appearances and structures of the w orld than any other mode of know ledge.Moreover,it asserts a genuine aesthetic nomothesis. The paper sketches the tensions of claim and consequences with respect to some core positions of Classical Modernism( Hofmannsthal,Meyer-Graefe,Rilke).
Poetic texts and poetological programs around 1900 claim a mode of thinking that exceeds the limits of rationality-beautiful thinking shallimply better thinking. In its most sophisticated utterances, poetry of Classical Modernism pretends to give better insights into the appearances and structures of the w orld than any other mode of know ledge. Moreover, it asserts a genuine aesthetic nomothesis. The paper sketches the tensions of claim and consequences with respect to some core positions of Classical Modernism (Hofmannsthal, Meyer-Graefe, Rilke).