与之前以奇卡诺男性为中心的众多剧作不同,“奇卡诺戏剧之父”路易斯·瓦尔德兹最近的一部作品《石化鹿》完全围绕奇卡诺女性展开。从女性主义视角深入分析剧中的主要女性角色,不难发现她们均颠覆和超越了奇卡诺文化中的两个重要女性原型——瓜达卢佩圣母和玛琳琦。这些具有颠覆性的女性形象与暗示女性作为奇卡诺遗产继承人的石化鹿主题意象一起消解了传统的奇卡诺男性身份。 Unlike many previous episodes of Chicano male-centered drama, the most recent work by Luis Valdez, Father of Chicanocles, Petrified deer, revolves around Chicano women. From the perspective of feminism, analyzing the major female characters in the play, it is not difficult to find that they both subvert and transcend the two important female prototypes in Chicheno culture, the Virgin Mary Guadalupe and Marlene Qi. These disruptive images of women, along with the themes of fossil deer that suggest women as heirs of Chicheno’s legacy, dissolve the traditional Chichuano masculinity.