对悲惨灾难的影像描述,袭击着荷赛评委们的神经。而这种“灾难获奖”的标准,正在改变着“灾难摄影”的动机。我猜想,那些正在急匆匆赶赴震区的媒体摄影师们,有很多不是冲着灾难报道去的,而是冲着荷赛去的,因为他们确实老谈论灾难与荷赛的关系——如何渲染灾难才能得奖等等。 An image description of the tragedy catastrophic the nerves of the Dutch judging panel. And this kind of “disaster award ” standard, is changing “disaster photography ” motivation. I suspect that many of the media photographers who are hurrying to the earthquake zone are not going to report disaster but go to Hertz because they really talk about the relationship between a disaster and the Dutch race - how to render a disaster Winning and so on.