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从古至今,悲剧就是一个重要的审美范畴。悲剧美是我国古代作品的一个重要审美风尚。《聊斋志异》作为我国文言作品史上的集大成者,在继承了几千年来中国传统小说写作的特点之外,还在悲剧美学领域形成了自身新的表现形式,这也使得其悲剧美的意味更加深厚。本文围绕《聊斋志异》中出现的三种常见的悲剧类型,从审美的角度出发,通过蒲松龄的写作手法和作品内涵浅析《聊斋志异》悲剧中所蕴含的美学元素。
Since ancient times, tragedy is an important aesthetic category. Tragedy beauty is an important aesthetic of ancient Chinese works. As a masterpiece of the history of Chinese classical works, Strange Tales from a Lonely Studio inherits the characteristics of Chinese traditional novel writing for thousands of years and forms its own new form of expression in the field of tragedy aesthetics, which also makes its tragedy beautiful More profound. Based on the three common types of tragedies appearing in Strange Stories from a Lover Studio, the aesthetic elements contained in the tragedy of Strange Stories in a Lonely Studio are analyzed from the perspective of aesthetics.