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荒诞派戏剧在20世纪50、60年代的欧美剧场曾经风光无限,这些作品用“荒诞”的形式表现“荒诞”的主题以折射“荒诞”的现实世界。哈罗德.品脱,作为荒诞派戏剧的代表人物之一,对它进行改造创新,重新加入现实主义的元素,使他的作品走出以塞米尔.贝克特等人为代表的荒诞派作品的典型的样式,成为别具一格的“品脱风格”。戏剧《看管人》是“品脱风格”的经典之作。文章将通过对剧中的人物以及创作手法的分析来反映品脱的哲学思想及其写作风格。
The absurd theater was once famous for its European and American theater in the 1950s and 1960s. These works use “absurdity” to express the theme of “absurdity” to reflect the “fantastic” reality. Harold Pint, one of the representatives of the absurdist drama, reformed and reinvented it and reinstated elements of realism to get his work out of the typical work of the absurdist works represented by Semyel Beckett et al. Style, become unique “pint style.” The drama “Custodian” is a classic “pint style.” The article will reflect the philosophical thoughts and writing style of Pint by analyzing the characters in the dramas and their creative techniques.