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《西游记》为当代小说创作提供了神话叙事原型。自20世纪90年代中后期始,将“西游”人物、“西游”故事原本的关系进行交错作为叙事主题的文本在非主流叙事中占据着相当的空间。其中《大话西游》和《悟空传》是典型代表。两者在各自的创作理念中暗含着孤独与狂欢的矛盾与悖反,也体现了不同的取舍与选择。从两部再创作品与《西游记》的比较分析中可以见出该叙事类型发展的内在动因,并可从艺术样式和人文诉求等角度丰富当代神话叙事的外延研究。
Journey to the West provides a prototype of myths for the creation of contemporary novels. Since the middle and later stages of the 1990s, the texts interlaced as the theme of the narration have occupy considerable space in non-mainstream narratives. One “Westward Journey” and “Wukong Biography” is a typical representative. Both imply the contradictions and contradictions between loneliness and carnival in their own creative ideas, as well as different choices and choices. From the comparative analysis of two re-creation works and Journey to the West, one can see the intrinsic motivation of the development of the narrative type, and enrich the study of the delineation of contemporary myths from the perspective of artistic style and humanistic appeal.