所谓对历史的偏离即对确定无疑的历史“本事”加以艺术转换,创造出富于感染力、迷离神秘的审美情境,以“更新人类的记忆”。在设计中,这种以“打乱”、“戏拟”和“假定”的陌生化程序对设计资源“本事”的偏离,其目的正在于“重构历史”。这所重构的“历史”是以假定的时间、脱离常态的人物而构建的审美时空,因而,它具有“诗的现实性”。而这“诗的现实性”与模仿论、反映论意义上的逼真的“现实”、概括的“典型”和形象的“思维”论是相对的。 The so-called departure from history means to artfully convert certain historical “incapacities” to create a contagious and mysterious aesthetic situation so as to “update the human memory.” In design, the deviations from the “resourcefulness” of designing resources by “disruptive”, “parody” and “hypothetical” defamiliarization procedures are aimed at “reconstructing history.” This reconstructed “history” is the aesthetic space-time constructed by the hypothetical time and the ordinary person. Therefore, it has “the reality of the poem.” And this “poetic reality” is relative to the theory of imitation, the realistic “reality” in the reflection theory, the generalized “canon” and the image of “thinking”.