马越集评到了“后八九”时期,方力钧、刘炜、刘小东、喻红、宋永红、王劲松等人把视角从形而上转换成一种平视,以自己和自己周围的人以及琐屑偶然的生活片断入画、表达出一种小人物的无聊情绪。此后,他们开了“平庸和日常生活感觉”的画风,其后,像曾浩、申玲王玉平夫妇、王浩韦荣夫妇以及晚出的陈曦,还有西南的很多艺术 In the post-1989 period, Fang Lijun, Liu Wei, Liu Xiaodong, Yu Hong, Song Yonghong and Wang Jinsong transformed metaphysics from metaphysics to metaphysics, taking themselves and themselves as well as trivial occasional fragments of life Into the painting, expressed a boring emotions of small people. Since then, they have introduced the style of “mediocre and daily life feeling”, and later, such as Zeng Hao, Shen Ling, Wang Yuping couple, Wang Haowei Rong couple and late Chen Xi, as well as a lot of art in the southwest