四处游弋的白衣飘飘的诗人,表情严肃的平民哲人和居无定所的画家村落构成了书本中浅显描述上世纪80年代文人们整体精神价值的固态范本。而作为那个时代模糊的亲历者,我感同身受的却是每日在上学途中与小伙伙伴们玩的简单的自创游戏和坐在黑白电视机旁等待《花仙子》等日本动画片上演时的欣喜心情,以及父母终日忙碌于工作和我与姐姐的衣食住行间的日常琐事。长大后通过别人的言传和 The fluttering white poet, the grim civilian philosopher and the homeless painter village constitute the solid-state model of the book, which succinctly describes the overall spiritual value of the literati in the 1980s. As a vague witness of that era, I feel the same feeling of being a simple homemade game daily with my buddies on my way to school and sitting on a black-and-white TV while waiting for Japanese animation such as Flower Fairy to be staged Mood, and the daily routine of parents and their busy daily work and my sister’s basic necessities of life. Grow up through the words and others