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9/11后的美国文学作品在参与民族创伤-记忆-身份的转化过程中发挥了重要的作用,不仅将恐怖袭击造成的创伤通过文学作品景观化,更通过读者的阅读行为将这种个体创伤上升为集体的文化性创伤,这些参与建构文化创伤的文学作品经过文学公共领域内的读者讨论被整合为公共记忆,经过复杂的文化合力,这些公共记忆最终嬗变为美国人民族身份的一部分,丹·布朗的新作《地狱》正是这样一部典型的作品。
American literary works after 9/11 played an important role in the process of participating in national trauma-memory-identity transformation. They not only traced the trauma caused by terrorist attacks through the literary works landscape, but also wounded the individual through the readers’ reading behaviors Rose to a collective cultural trauma. These literary works involved in the construction of cultural trauma were integrated into public memory through discussions with readers in the public domain of literature. After complicated cultural cooperation, these public memories eventually evolved into part of the American national identity. · Brown’s new work “Hell” is such a typical work.