看穆家善的山水画,就会想到传统,想到传统的活力,想到传统的生长点。近百年来,中国画的传统有二,一谓引西人中,二谓借古开今。前者无论中体西用,还是西体中用,都在积极学习西方,却没有完全隔断传统,只是重视科学意识,改变视觉观念,也改造了语言方式,在世纪的变革中渐成主流。后者则拉开中西距离,稳步与时俱进,不是绝然不吸纳西画因素,而是注重可以兼容的一面,更 Look at Mu Shan Shan’s landscape painting, you will think of tradition, think of the traditional vitality, think of the traditional growth point. In the past century, there are two traditions of Chinese painting. The former, both in the West and in the West, actively studied in the West, but did not completely cut off the tradition. They just attached importance to scientific awareness, changed their visual conceptions, and transformed the language style. They became the mainstream in the transformation of the century. The latter opens up the distance between China and the West and steadily advances with the times. It is not absolutely necessary not to absorb the factors of Western painting but to focus on compatible aspects and more