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上个世纪六七十年代之交的西方社会,在年轻学生反战、反权威的“造反”运动从校园扩展到社会的发展进程中,艺术从来没有如此紧密地同政治辩论和社会问题联在一起,成为参与社会和点评时事的利剑。1968年意大利学生把学潮闹到了威尼斯双年展的场地,迫使部分展览活动终止。学生们打出的口号是:“让梦想走近现实!”“你是消费者还是参与者?”“艺术不存在,艺术就是你!”这些激进的宣言,可以被视为日后席卷整个艺术世界的观念艺术的前身主张。在这里,艺术和艺术
Western societies at the turn of the 1960s and 1970s, in the course of their development of young anti-war and anti-authoritarian “rebel movements” from campus to society, have never been so closely linked to political debate and social issues Together, become a social event and comment on current affairs sword. In 1968, Italian students took the tide to the venues of the Venice Biennale, forcing part of the exhibition to end. The slogan that students make is: “Let the dream come true!” “Are you a consumer or a participant?” “Art does not exist, art is you!” These radical manifestations can be seen as The forerunner of the concept art that swept the entire art world in the future. Here, art and art