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陈忠实在《白鹿原》的创作感言中曾说:“当我第一次系统审视近一个世纪以来这块土地上发生的一系列重大事件时,又促进了起初的那种思索进一步深化,而且渐入理性境界,甚至连’反右’、’文革’都不觉得是某一个人的偶然的判断的失误或是失误的举措了。所有悲剧的发生都不是偶然的,都是这个民族从衰败走向复兴、复壮过程中的必然。这是一个生活演变的过程,也是历史演进的过程……从清末一直到一九四九年中华人民共和国建立,所有发生过的重大事件都是这个民族不可逃避的必须要经历的一个历史过程。”白鹿原型意象不仅凝聚着民族文化的记忆,而且在代代承传中不断被赋予新的历史内容,它作为体现理想人格的文化心理内涵的象征,对于不同的人而言有着不同的精神涵义。
Chen Zhongshi said in his creation of “Bai Lu Yuan”: “When I first systematically examined a series of major events on this land for nearly a century, I further promoted the initial thinking and further deepened it, and Gradually into the realm of reason, and even ’anti-right’ and ’cultural revolution’ do not find it a measure of a person’s accidental misjudgment or mistakes. All tragedies are not accidental, they are the people from the decline It is an evolution of life and a process of historical evolution ... From the end of the Qing Dynasty until the founding of the People’s Republic of China in 1949, all the major events that have taken place are the inevitable escape of this nation Must undergo a historical process. ”" White Deer prototype image not only condenses the memory of national culture, but also continuously given new historical content from generation to generation, as a symbol of cultural and psychological connotation of the ideal personality, Different people have different spiritual meanings.