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从话剧艺术演进的角度来看 ,中国话剧５０年经历了两个觉醒期。建国之后的１７年 ,以民族意识的觉醒为标志 ;新时期以来的２３年 ,以革新意识的觉醒为标志。民族意识的觉醒 ,体现为一个国家的戏剧家创建民族戏剧艺术学派的强烈欲望。１８８１年 ,俄国戏剧家奥斯特洛夫斯基在一
From the perspective of drama art evolution, Chinese drama has experienced two awakenings in 50 years. 17 years after the founding of the People’s Republic of China marked by the awakening of national consciousness; the 23 years since the new period were marked by the awakening of innovative consciousness. The awakening of national consciousness embodies the strong desire of a country’s dramatist to create a national theater art school. In 1881, the Russian dramatist Ostrovsky was at one