目录导言张卫电影美学发展的轨迹李恒基扬远婴新时期电影美学研究概述张卫电影美学随想纪要邵牧君电影美学研究的若干问囹郑雪来爱森斯坦及其蒙太奇学说的理论模态杨远婴蒙太奇理论研究中的若干问题邓烛非现实的重建与存在的本体意义李一鸣纪实美学的根本缺陷与电影艺术家的个 Catalog Introduction Zhang Wei The track of film aesthetics development Li Hengji Yang Yuan-ying overview of film aesthetics in the new era The Zhang Wei Movie aesthetics Sighnough Shao Mujun Some questions on the study of film aesthetics Zheng Xuelai Eisenstein and its montage theory model Yang Yuanying montage theory The unrealistic reconstruction and the ontological meaning of Li Yiming’s fundamental defect of the aesthetics of beauty and the movie artists’