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美国杂技演出市场如何?最近,我们带着这个问题专程拜访了旅居在旧金山湾区的前南京杂技团团长旧金山马戏团创立人、艺术指导陆毅先生。陆先生在百忙之中热情接待了我们一行,并就美国杂技演出市场的现状、如何邀请国内杂技团来美进行商业演出等问题,提出了许多很好的意见和建议。一、美国的杂技演出市场具有较大的竞争空间在介绍美国杂技演出市场时,十分健谈的陆先生如数家珍。陆先生认为,由于杂技是靠形体语言和表演艺术进行交流,没有语言障碍,所以它在来美的所有艺术表演类中最具市场潜力。特别是中国杂技在国际上享有较高声誉,如武汉杂技就闻名海外,这是我国开发美国杂技商业演出市场的有利条件。据陆先生介绍,目前,美国杂技演出市场几乎被加拿大马戏团所垄断。而这个马戏团最初是靠廉价聘用来自前苏联、中国的杂技演员发展起来的。经过短短几年的努力,该团发展神速,队伍已经打入拉斯维加斯多个赌场,常年在美巡回演出,而且还经常到欧洲、亚洲演出,经济实力强大,是美国最有影响的外国艺术表演团体。
Recently, with this issue, we paid a special visit to the founder of San Francisco Circus, former director of the Nanjing Acrobatic Troupe who lives in the San Francisco Bay Area, and art director Lu Yi. Mr. Lu warmly welcomed our delegation during his busy schedule and put forward many good opinions and suggestions on the current status of the acrobatics market in the United States and how to invite domestic acrobatic troupes to conduct business performances in the United States. First, the acrobatics market in the United States has more room for competition. When introducing the acrobatics market in the United States, Mr. Lu, who is very talkative, is very familiar. Mr. Lu believes that since acrobatics is based on body language and performing arts, there is no language barrier, so it has the most market potential among all the art performances in the United States. In particular, acrobatics in China enjoys a high reputation in the world. For example, acrobatics in Wuhan is famous overseas, which is a favorable condition for China to develop the acrobatic commercial performance market in the United States. According to Mr. Lu, at present, the acrobatics market in the United States is almost monopolized by the Canadian Circus. The circus was originally developed by cheap hiring acrobats from the former Soviet Union and China. After a few short years of hard work, the regiment developed rapidly. The team has already entered several casinos in Las Vegas and has performed in the United States all the year round. It often performs performances in Europe and Asia and has the most powerful economic power. Foreign art performance groups.