一、“女性诗歌”的得与失提到翟永明,一般人本能反应就是“女性诗歌”。紧接下来,是“女性意识”“黑夜”“女人”等为数不多的几个派生词语。相当一段时间以来,读者和理论界首先是沾沾自喜于,进而是满足于来回摆弄这寥寥可数的几个“词根”——或曰“关键词”——来谈论她的诗歌,甚至相关的艺术随笔创作。无须讳言的是:以诗人早年的创作实绩,和她为之展开的阐释与自我辩护为基石的这个阅读和阐释装置,不仅成功建构了翟永 First, “female poetry ” gains and losses to Zhai Yongming, most people’s instinct is “female poetry ”. Followed by a few “female consciousness” “night ” “woman ” and several other derived words. For quite some time now, readers and theorists first of all have been complacent about, and thus are content to talk back and forth about these very few “roots” or “keys” - to talk about her poetry, Even related art essay creation. Needless to say, this reading and interpreting device based on the poet’s early years of creative achievements and the explanation and self-defense for her has not only successfully constructed Zhai Yong