当下的手机拍照功能日益强大,产出的影像画质优秀,然而看似有瑕疵的、不稳定的复古影像风格却得以兴起和普及。根据后现代主义理论,特别是詹明信的观点,后现代的重要特征是当下的怀旧和非本质主义,复古影像拼凑“过时”的表象碎片,这模糊了过去和现在的边界,企图通过满足人们对过去的怀念,治愈当下的存在主义焦虑,而那个真正的历史则离我们渐渐远去。 The current mobile phone camera features an increasingly powerful, excellent output image quality, but seemingly flawed, unstable retro image style has been able to rise and popularity. According to the postmodernist theories, especially those of Jimmy Chan, the important feature of postmodernity is the current nostalgia and non-essentialism, the remnants of ancient images and the appearance of “outdated”, which obscures the past and present borders in an attempt to pass Satisfy people’s nostalgia for the past, cure the current existential anxiety, and the real history is far away from us.