中国的电影理论是比较薄弱的。长期以来由于传统观念和极左思想的影响,我们对电影本体的研究相当缺乏。在研究方法上片面、单一,一直到新时期才出现转折。新时期电影理论的发展、电影观念的更新,大致可以分为三次。 China’s movie theory is relatively weak. For a long time, due to the influence of traditional concepts and ultra-leftist thoughts, there is a lack of research on the ontology of movies. In the research methods on the one-sided, single, until the new era turning point. The development of film theory in the new era, the concept of film update, can be roughly divided into three.