拍摄《伊万的童年》期间,每当我们想尝试以诗的语法来取代传统叙事方式时就会遭到电影当局的抗议。不过我们仍然继续摸索、尝试。我们并不是要颠覆电影的基本理论,但是只要我们的戏剧结构稍见创新的征象——将日常生活的理论基础作略为自由的处理——就会遭到抗议和不谅解。他们总是以观众为借口,认为观众需要的是一气呵成、绝无冷场的情节,如果电影没有很强 During the filming of “Ivan's Childhood,” whenever we want to try to replace the traditional narrative style with the grammar of poetry, we are being protested by the film authorities. However, we still continue to explore, try. We are not trying to subvert the basic theory of cinema, but as long as our theater structure sees signs of innovation - a somewhat liberal approach to the rationale of everyday life - we are protesting and not understanding. They are always based on the audience as an excuse, that the audience needs is done together, no cold plot, if the movie is not strong