《画继》是研究北宋末、南宋初绘画的重要资料,然却有一些人对它认识不足。为正史实,使人们重新认识确有学术价值的《画继》,写了这篇《试论<画继>的价值》。在中国绘画史中,宋元时期是处于中国美术批评史上的转捩期,邓椿《画继》作为断代史。由于其资料丰富,立论严谨。“文人画”命题中的“诗画本一律”、“逸品为第一”、“气韵非师”等三方面在当时时代下,邓椿能公正的给予肯定,确立了“文人画”将成为主流的方向,本人把其作为本文的重点。为此,本文尽力运用自己可以收集到的文献资料,进行研究证明以期能丰富宋代艺术活动和文人画等方面的研究,并为以后同类研究提供一些有价值的资料和观点。 Painting Following is an important material for studying the paintings of late Northern Song Dynasty and early Southern Song Dynasty. However, some people do not know enough about it. For positive historical facts, so that people can re-recognize the academic value of “Painting Following”, wrote this “on the” painting “value.” In the history of Chinese painting, the Song and Yuan Dynasties were in the turning point of the history of Chinese art criticism. Deng Chun “painted the following” as the history of the Chronicles. Because of its rich information, rigorous argument. “Literati painting ” proposition in the “poem and painting all the rules ”, “Essence as the first ”, “spirit non-teacher ” and other three aspects at the time, Deng Chun can be given a fair and established “Literati painting ” will become the mainstream direction, I regard it as the focus of this article. To this end, this article makes every effort to use the literature and materials that oneself can collect, carry on the research to prove that in order to enrich the Song Dynasty artistic activity and the literati painting and so on the aspect research, and provides some valuable data and the viewpoint for the similar research later.