自20世纪初叶,在中华民族救亡图存的社会大背景下,文化艺术界的有识之士,就开始呼唤中国美术的现代化,并探索其实现的途径。历经坎坷和历史的曲折,经过反复的学术论争和不断的反思,通过几代人的实践、探讨和不懈追求,终于涌现出像齐白石、徐悲鸿、蒋兆和、潘天寿、李可染、黄胄等这样的开时代新风的大师,他们在中国写意画领域既承扬传统又有新创获,他们所创造的新的绘画语言、崭新的审美形态,具有浓 Since the early 20th century, under the social background of the Chinese nation’s salvation, people of insight in the field of culture and art began to call for the modernization of Chinese art and to explore ways of its realization. After repeated ups and downs of history and twists and turns of history, after repeated academic debates and constant introspection, through the practice, exploration and relentless pursuit of generations, Qi Baishi, Xu Beihong, Jiang Zhaohe, Pan Tianshou, Li Keran, Master of the new era of the wind, they both in traditional Chinese painting tradition to carry forward the tradition and new achievements, they create a new painting language, a new aesthetic form, with thick