北京人艺小剧场还真是藏龙卧虎,一出《格瓦拉》的上演,使这位二十世纪最典型的理想主义悲剧人物竟然成为习惯肤浅和麻木的文化界瞩目的对象。 北京究竟是“祖国的心脏”(此说现不多见,“吾从周”,仍其旧),人文荟萃,最权威的、最边缘的、最保守的、最先锋的,各种思潮无不在这里寻找表现的机会,一经表现,便有影响,因为有史以来,凡大一统的国家的首善之区,在政治上和文化上的幅射能力是一种正相关。“先锋戏剧”何物?蛰居边僻,无缘亲睹,只能以意度之,焉敢贸然置喙?然而格瓦拉,这名字对许多人 Beijing People’s Theater is really Crouching Tiger Hidden Dragon, a “Guevara” staged, so that the twentieth century’s most typical idealistic tragedy turned out to be accustomed to superficial and numb cultural target of attention. Whether Beijing is the “heart of the motherland” (which is rare now, “I follow the week,” still remains old), anthropomorphism, the most authoritative, the most marginal, the most conservative, the most pioneering and all kinds of ideological trends The opportunity to look for expression here, once manifested, has an impact, because in history there was a positive correlation between political and cultural radiosity in the area of ​​the nation’s first-righteousness. “Avant-garde drama” what? Living secluded secluded, missed the witness, only the meaning of Italy, Yan Ran be bereaved? Guevara, however, the name of many people