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我以前写过一篇文章《图像学的模式》(见本刊2003年第4期),区别了帕诺夫斯基的图像学和贡布里希的图像学。关于这个问题,文化历史学家彼得·伯克说得很清楚,“帕诺夫斯基如果不是以敌视至少也是以无视艺术的社会史而闻名。
I have previously written an article entitled ”Patterns of Imageology“ (see Articles 4/2003), distinguishing Panovsky’s imageology from Gombrich’s imageology. On this issue, the cultural historian Peter Burke made it very clear that ”Panovsky, if not at least hostile, is also famous for disregarding the social history of the arts.