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作为莎士比亚最著名的剧作之一,《哈姆雷特》在四百多年的时间里得到了全世界的喜爱与青睐。从17世纪至今,每个世纪都有名家名人对其主人公哈姆雷特进行独具一格的解读与阐释,国内学者也撰写了大量学术文章来研究这一极具魅力的形象及整部剧作的主题,然而却鲜有人涉足哈姆雷特的“替罪羊”形象及剧作的“替罪羊”主题。基于此,本文尝试运用勒内·吉拉尔的“替罪羊”机制范式理论来对这一问题进行探析。
As one of Shakespeare’s most famous plays, “Hamlet” has enjoyed worldwide popularity and favor for more than 400 years. Every century, from the 17th century to the present, celebrities such as Hamlet have been uniquely interpreted and explained by famous celebrities. A large number of academic articles have also been written by domestic scholars to study this extremely attractive image and the theme of the entire play However, few people are involved in Hamlet’s “scapegoat” image and drama’s “scapegoat” theme. Based on this, this article attempts to use René Gilal’s scapegoat paradigm theory to analyze this issue.