庄子、柏格森作为生活在不同时代、不同国度、有着不同文化背景的哲人，却都十分强调审美观照的直觉性，并且他们的理论分别对中国美学和现代西方美学产生了重大的影响。其二者在该方面理论却有异同。其相通之处有：具有本原意义的审美观照的最高境界；审美观照诉诸于直觉的缘由；审美观照的直觉特征；直觉式的审美观照对主观方面的要求。其差异之处为：把审美观照诉诸于直觉的背景不同；获得直觉式审美观照有强调依赖于人生整体修养与仅为审美经验之差异 Zhuangzi and Bergson, as philosophers living in different times, different countries and different cultural backgrounds, all emphasize the intuition of aesthetic perception, and their theories have a significant impact on Chinese aesthetics and modern western aesthetics respectively. The two theories are similar in this respect. The commonalities are: the supreme realm of the aesthetic sense of the original meaning; the reason why the aesthetic view resorts to intuition; the intuitionistic characteristic of the aesthetic view; and the subjective requirement of the intuitive aesthetic view. The differences are as follows: the background of resorting to aesthetic perception to intuition is different; obtaining the intuitionistic aesthetic view emphasizes the difference between relying on the overall accomplishment of life and only the aesthetic experience