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50-70年代这个时间段,吴冠中主要以创作色彩油画为主。他在色彩油画作品的创作过程中,边对我国的油画进行发扬边进行民族化的尝试和研究。同时,他还将欧洲油画当中那种对自然描绘的直白、生动、形象、多彩、写实等特点,与中国的传统画艺所展现出来的文化内涵、精神风貌、审美习惯等融会贯通。对其所有作品进行分析和观赏就能看出,他对江南水乡美景的创作和创新尤其擅长。例如江南水乡的初春新绿、薄薄雾霭、宁静村寨、青瓦白墙等等,色调和谐唯
During the period from the 1950s to the 1970s, Wu Guanzhong mainly used creative color paintings. In the process of creating color oil painting works, he tried and studied nationalization while carrying forward the oil paintings in our country. At the same time, he also integrates the straightforward, vivid, vivid, vivid, colorful and realistic features of the natural portrayals of European oil painting with the cultural connotation, spiritual outlook and aesthetic habits of traditional Chinese painting. Analysis and viewing of all his works shows that he is especially good at creating and innovating beautiful scenery in the Yangtze River. For example, the early spring and new green Jiangnan Water Village, a thin mist, quiet village, blue and white white walls and so on, harmonious color only