艺术评论:20世纪90年代初,中国油画界产生了一种新的画风——油画静物超写实画风。观念的更新带来了技法的变革,新生代女油画家杨丽君的油画正是这一画风中的佼佼者,圆融而和谐,自然天成。晴朗的上午,身入画室,满屋画幅。一幅仙桃静物油画跃入眼帘,画面柔美而圆融、和谐而自然,且刀笔无痕——这是画家以“花好月圆”为主题创作的系列作品之一,体现了她在追求超写实的画风的基础上独创新意,以及她对个性的彰显。超写实主义的油画几可乱真,真 Art Commentary: In the early 1990s, a new style of painting emerged in the Chinese oil painting industry - still life of oil painting and super realistic style. The renewal of concepts brought about changes in techniques. The oil painting of the young generation of female oil painter Yang Lijun is the leader in this style of painting, which is harmonious and harmonious and natural. Sunny morning, into the studio, full house picture. A painting of still life oil paintings catches the eye, the picture is soft and harmonious, harmonious and natural, and no trace of pen and knife - this is the painter’s theme of “Flower Moon” as one of the series of works, reflects her in the pursuit of ultra- Based on the original style of the novelty, as well as her personality to highlight. Realistic oil painting can be a few real, really