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国画的写生问题,本来是个老话题——它在中国画的“古典”阶段就一直存在。但在20世纪以来,写生在国画界重新得到重视,并对中国画的现代形态的形成起到了极大的促进作用。在21世纪的文化视野中,中国画写生问题依旧成为一些学者讨论的热点,学者们对于“写生”的内涵、“写生”与“创作”等关系的思考,仍在进行中,而且他们观察与思考的角度出现了异于前人之处。
The sketchbook of Chinese painting was originally an old topic - it existed in the stage of “classical” in Chinese painting. However, since the 20th century, sketching has been re-emphasized in the field of Chinese painting and has greatly promoted the formation of the modern form of Chinese painting. In the cultural horizon of the 21st century, the issue of Chinese painting and drawing still remains a hot topic of discussion for some scholars. The scholars’ thinking on the connotation of “sketching ” and the relationship between “sketching ” and “creation ” is still under way , And their perspectives of observation and thinking appeared different from their predecessors.