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三燕文化马具装饰纹样中最常见的题材为凤,龙次之,以及鹿、兔等等。表现形式有单独纹样、适合纹样、多方连续纹样、组合纹样、边饰纹样。多采用錾刻、减地镂空、鎏金等复合工艺制作而成。这些纹样不仅装饰于马具,也见于同时期的服饰及建筑构件上,可以肯定,这些雕镂精美的马具都是辽西当地的产品,客观反映了当时当地的生产工艺水平,人们的思想观念、审美情趣,是认识三燕文化特征、了解三燕文化源流、讨论三燕文化与周边文化关系的一个重要的视点。三燕文化马具装饰纹样与马具形制、结构、组合同样都是构成三燕文化的重要内容,而且具有更为丰富的内涵,是三燕文化构成多元性的又一例证。
The three most common themes of the three Yan culture harness decoration patterns are phoenix, dragon, and deer, rabbit and so on. The performance of a single pattern, suitable for pattern, multi-continuous pattern, the combination of patterns, decorative patterns. Use more carved cut, cut to hollow, gold and other composite technology made. These patterns are not only decorated in the harness, but also seen in the same period clothing and building components, to be sure, these exquisite horse carvings are the local products in western Liaoning, an objective reflection of the local level of production technology, people’s ideas , Aesthetic taste, is to understand the cultural features of San Yan, San Yan understand the origins of culture, San Yan culture and the surrounding culture to discuss an important point of view. Sanyan culture and horse decoration patterns and horse shape, structure, combination are also constitute an important part of Sanyan culture, but also has a richer connotation, Sanyan culture constitutes another example of diversity.