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如果古为今鉴是我们今人探索历史的主要原因之一,自1966年发生在台湾的“中华文化复兴运动”与其礼乐重建,又能为近年来中国大陆的文化复兴和礼乐重建提供什么样的启发或警示?本文以现存台湾官方档案资料与当年报纸报道为主要材料,从中探讨与音乐相关之文艺活动与祭孔乐舞展演;一方面试图呈现“中华文化复兴运动”对当年台湾音乐发展的影响,另一方面希望对祭孔乐舞重建工作的讨论,可厘清重建“目的”与“成果”间的因果关系。
If the ancient concept of the Kam is one of the main reasons for our present-day exploration of history, since the “Chinese Culture and Renaissance Movement” in Taiwan in 1966 has been rebuilt with its rituals and music, it has also been a cultural rejuvenation and ritual of Chinese mainland in recent years What kind of enlightenment or warning should be provided by reconstruction? In this paper, the existing archives of Taiwan’s government and newspaper coverage of the year are taken as the main materials to discuss music-related literary activities and sacrificial music and dance performances. On the one hand, attempts are made to show the “Chinese Cultural Renaissance Movement” On the other hand, it is hoped that the discussion on the reconstruction of the music and dancing at the festival will clarify the causal relationship between the reconstruction of “purpose” and “achievement”.