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小剧场戏剧,多年来一直是戏剧界的“宠儿”。从创作方面说,它场面小,角色少,内容相对单纯;从制作经营方面说,它投资少,见效快,便于运作和市场演出。还有更重要的一点,小剧场戏剧具有实验、探索的功能,便于舞台艺术的创新,而这也正是众多青年戏剧人投身小剧场戏剧创作的主要原因。自上世纪80年代以来,小剧场戏剧曾出现一股创作热潮,出现了诸如《绝对信号》《思凡》《留守女士》《恋爱的犀牛》《押解》《情感操练》《同船过渡》《福兮祸兮》《绿
Small theater plays have been the darling of the theater for years. In terms of creation, it has small scenes, few roles, and relatively simple content. In terms of production and operation, it has less investment, quick results, and is convenient for operation and market performance. More to the point, the small theater theater has the function of experiment and exploration to facilitate the innovation of the stage arts, and this is also the main reason why many young theater people join the drama creation of the small theater. Since the 80s of the last century, there has been an upsurge of creative work in theatrical theater. There has been a series of festivals such as “absolute signal”, “Sifan”, “left behind woman”, “rhinoceros in love”, “escort”, “emotional drills” Come on, “” Green