戏剧导演王延松,自上世纪80年代就已享誉中国戏剧界,是当代的实力派导演。近年来,王延松重新解读并执导了曹禺的三部曲《原野》、《日出》、《雷雨》,并全新解读排演了易卜生诗剧《培尔·金特》,因此备受瞩目;而音乐剧《茉莉花》、《祝福》和《蝶之恋》亦得到多方关注与认可;继80年代《搭错车》之后,其音乐剧创作的天赋和才能再度彰显。作为导演,王延松在当代戏剧界以其独特的艺术创造日益成为专家学者探究的个案。 Drama director Wang Yansong, since the 1980s has been well-known Chinese theater industry, is the director of contemporary power. In recent years, Wang Yansong has been re-read and directed by Cao Yu’s trilogy “Wilderness,” “Sunrise,” “Thunderstorm,” and a new interpretation of the Ibsen’s drama “Per Gynt” Musical “Jasmine”, “Blessing” and “Butterflies Love” have also attracted much attention and recognition. Following the “take the wrong car” in the 1980s, the talents and talents of musical productions are once again demonstrated. As a director, Wang Yansong has increasingly become a case study of experts and scholars in contemporary drama with his unique artistic creation.