《阿惹妞》黎明即起,晚月犹在,静寂的彝家寨里,妹子红妆,阿哥素裹,“执手相看泪眼,竟无语凝咽”……自古以来,有缘无分的悲情故事就格外受到艺术创作者们的偏爱。马琳编导的彝族双人舞《阿惹妞》,正是以这般熟络的传统题材,一举夺得中国舞蹈最高奖项“荷花杯”作品金奖和中国少数民族舞蹈“孔雀杯”编导、表演两项一等奖。若论题材,尤其是情节题材,往往离不开作品结构。对于结构的处理,不论是舞剧还是小舞蹈作品都越来越成为编导们患得患失的话题,因为结构的合理与否将直接影响到情节的明朗度与可信性。确见功夫的舞蹈语汇是《阿惹妞》这一作 “A mess girl” dawn that is, the night still in the silence of the Yi Zhai Lane, sister red makeup, Elder brother wrapped, “hands and look at tears, actually speechless ” ... ... since ancient times, fate The sad story is particularly favored by art creators. Ma Lin’s Yi double dances, “Ayu Niu”, won the Gold Medal of “Lotus Cup” and Chinese Ethnic Minority Dance “Peacock Cup” with the highest attainable of traditional Chinese themes. Perform two first prizes. If the theme, especially the plot, often inseparable from the work structure. For the treatment of the structure, both the dance drama and the small dance works have increasingly become the topic that the director has suffered from, because the structure is reasonable or not, which will directly affect the clarity and credibility of the plot. Indeed, kung fu dance vocabulary is “A mess girl” for this