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法国《电影80》10月号发表了若埃尔·马尼的一篇影评,题为 《从几部法国新片看故事性的恢复》。现摘译如下: 最近几部法国影片给我们留下的印象是,现代电影的演进目前正处在一个转折时期。六十年代初,新浪潮电影同传统决裂的魄力就不彻底,因此未隔多久,就改弦易辙了。后来让一吕克·戈达尔一直走的那条违抗常规的道路,实际上已不属于新浪潮电影的范围。戈达尔的最近一部影片《人人为
French film “80” published a critique of Joël Mani entitled “The Recapitulation of Stories from Several French New Movies” in October. The translation is as follows: Recent French films left us with the impression that the evolution of modern film is currently in a turning point. In the early 1960s, the courage of the new wave movies and the traditional break-up was not complete. Therefore, it was not long before the time was changed. The unruly routine that followed Lucian Godard in the long run was in fact beyond the scope of the new wave. Godard’s recent film “Everyone.”