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唐代长沙窑独创的釉下彩瓷绘艺术集诗、书、画为一体,题材分为山水、花鸟、虫草、诗歌等,充分反映出了文人的风格。本文从文人参入长沙窑瓷绘的时代背景入手,从文人审美、文人书法功力、文人追求、文人思想等几个方面对唐代长沙窑瓷绘艺术中的人文风格进行了分析,以期更多的人认识到它的艺术价值。
In the Tang Dynasty, the unique underglaze painting made by Changsha kilns combines poetry, calligraphy and painting together. The theme is divided into landscapes, flowers, birds, caterpillar fungus and poetry, which fully reflects the style of the literati. This article starts from the background of literati participating in the Changsha Kiln porcelain painting, analyzes the humanistic style in the porcelain painting of Changsha kiln in the Tang Dynasty from several aspects such as the literati’s aesthetics, literary calligraphy skill, literati pursuit and literati thought, with a view to more People recognize its artistic value.