安东尼奥尼电影的现代主义形式风格,可以从影像叙事和视听层面来分析,其代表性的电影在时空关系上不是按照既定的意大利新现实主义思路对真实生活的记录展开,而显然带有一种重新组合现实的处理,但叙事方法又不是经典电影的戏剧化结构,而倾向于一种主观化的非叙事性的时空组合方法,即保持着现实和想象之间的距离产生现代主义式的疏离感,本文试图从其代表影片中视听语言的角度分析这种非叙事化的影像策略。 Antonioni’s modernist style of film can be analyzed from the perspective of image narration and audiovisual. Its representative films evolve from time to space in accordance with the established Neo-Realist thinking of real life records, But the narrative method is not the dramatic structure of the classic film but tends to be a subjective and non-narrative space-time combination method, that is to maintain the distance between the reality and the imagination to produce a modernist sense of alienation , This article attempts to analyze this non-narrative image strategy from the perspective of audio-visual language in its representative films.