毫无疑问,我国七十多年的话剧运动史,谱写的是光辉的战斗篇章。但是,我国话剧从欧洲传入的时候,就存在着戏剧观上单一的毛病。当时,我们引进的是筑起了“第四堵墙”的、处于全盛时期的自然主义戏剧学派,或者说,是自然主义已经发展为易卜生、契诃夫为代表的批判现实主 There is no doubt that the history of the drama movement in our country for more than seventy years has complied with the glorious chapter of battle. However, when our drama is introduced from Europe, there is a single problem in the perspective of drama. At that time, we were in the heyday of the naturalist school of drama building the “Fourth Wall,” or the critical reality that naturalism has developed into Ibsen and Chekhov