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陈沂的《拘虚诗谈》以气格声调的变化判断唐诗的流变和盛衰,同时重兴象、体制特征的变化,开唐诗学“诗变”论从形象整体观诗歌变化的先河。
Chen Yi’s “Poems on the Poems of the Monasticity of Deficiencies” Judge the Evolution and Rise and Fall of the Tang Poems with the Change of the Style and Tone, Simultaneously Revising the Changes of the Icon and System Features, First.