红光亮与春风已经苏醒——浅谈中国写实油画的华丽转身

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油画艺术到中国已经有一百多年。一百多年间,它在中国的土地上生根、发芽,曲折成长,逐渐融入中国社会,浸染上中华民族的特色。在这段历史里,最富意义、最令人回味的应属1976年——1989年之间中国画坛的蜕变,即文革时期“红光亮”美术向多样化新潮艺术的转型,这段时期无论是艺术家还是风格流派都如雨后春笋一般飞速出现与发展,艺术生态圈生意盎然。中国写实油画作为这一美术流变初期的一把燃情大火,引领了中国美术潮流的变迁。至今回味当时的画家们从文革时封闭的环境与思想跨越到文革后起死回生重染生机的艺术意识与形态,其 Oil painting art to China has been more than a hundred years. For more than a hundred years, it has taken root, sprouted and tortuously grown in China’s land, gradually integrating itself into Chinese society and dipping into the characteristics of the Chinese nation. In this history, the righteousness and the most memorable should belong to the transformation of the Chinese painting society between 1976 and 1989, that is, the transformation of the “Red and Bright” art into the diversified and trendy art during the Cultural Revolution Period both the genre of artists and genres have mushroomed in general rapid emergence and development of artistic ecosphere vibrant. Chinese realistic oil painting as the early stage of this art rhetoric, led the Chinese art trend changes. Since then, the painters of the time have leapfrogged from the closed environment and thought during the Cultural Revolution to the artistic consciousness and form that brought back to life the occasion of the Cultural Revolution
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