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在司玉笙的文学叙事中,他站在传统文化的立场上,过分地张扬着传统文化在当下中国社会中的主导性作用,遮蔽并压抑了现代文化在中国社会现代化中的作用,其所显现出来文化意蕴,与其说是对高等教育的霸权意识的批判,不如说是在对高等教育抑制的同时,张扬了“强”的母亲所显示出来的文化意识,是一种新的霸权意识。
In the literary narration of Si Yusheng, he stands on the position of traditional culture, overemphasizes the dominant role of traditional culture in current Chinese society, masks and represses the role of modern culture in the social modernization in China, The cultural connotation that appears is not so much a critique of the hegemonic awareness of higher education as it is a suppression of higher education and a manifestation of cultural awareness by a mother as strong as a new hegemony awareness.