从舞美的角度,我说这部戏是天地之间的《成兆才》。这部戏舞美做得很艰难。开始时,导演可能不知道未来的舞台美术是什么样,但他很清楚地知道不是什么样。很难对付他。以往舞美设计,基本上一稿就通过,而他这个戏四稿。第四稿在我和王导边交流边画,画着画着瞬间完成,当然有之前三 From the perspective of Wu Mei, I said that this play is “between heaven and earth” into a trillion. This drama is very difficult to do. Initially, the director may not know what the future of stage art is, but he knows exactly what it is. Hard to deal with him. In the past Wu Mei design, basically passed a draft, and he is a play four draft. The fourth draft in my side and Wang guide side of the exchange painting, painting with the moment to complete, of course, before the three