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唐代诗人韦庄的《台城》诗云:“江雨霏霏江草齐,六朝如梦鸟空啼。无情最是台城柳,依旧烟笼十里堤。”在诗中作者用鸟的空啼来渲染一种景色依旧,物事人非的苍凉气氛。而在六朝时期的青瓷装饰艺术中,鸟作为一种装饰题材也确实曾大量出现。
The Tang Dynasty poet Wei Zhuang’s “City of Taiwan” poem: “The beginning of Jiang Yu Qi Jiang grass Qi, the Six Dynasties like a dream bird emptying .Ruthless is the most Taiwan Liu, still smoke cage.” In the poem, To render a landscape still, things non-desolate atmosphere. In the celadon decoration art of the Six Dynasties, birds actually appeared in large numbers as a decorative theme.