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魏靖宇的抽象艺术经历了一个由语义抽象向非传统抽象的转折,他的沉木艺术代表作以传达材料本身的特征以及表现的品格为指归.魏靖宇一方面追求着材料的美质,另一方面又通过命名把语义还给作品,这种深刻的矛盾是具有时代特点的精神现象.魏靖宇的沉木艺术与三峡山川人文的悲壮风格有一种内在的对应关系,其深层的动因在于通过抽象化追求永恒,从而构筑灵魂的栖息之所.
Wei Jingyu’s abstract art has undergone a transition from semantic abstraction to non-traditional abstraction, and his Shenmu art masterpiece refers to the character and expression of the material itself.Wei Jingyu, on the one hand, pursues the material quality and the other, On the one hand, it semantically returns to the works through naming, which is a spiritual phenomenon characterized by the characteristics of the times.Wei Jingyu’s deepwood art has an inherent correspondence with the tragic style of the Three Gorges mountains and rivers, Abstraction pursuit of eternity, so as to build the habitat of the soul.