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文学和文化的状况,不仅仅是社会实践的直接反映,更是一个时代的精神状况的曲折表现。在“全球化”的背景下,面对文学商品化和文化产业化,面对影视和图像对文学的冲击,面对各种新兴媒介的出现,年轻一代已经本能地在市场中、网络上做出了自己的反应,由此产生了一系列新的文学和文化问题,比如大话经典“、恶搞”时尚“、80后”现象、中产阶级趣味“、草根文化”符号……社会的经济基础发生了如此巨大的变化,我们对文学和文化的阐释方法是否也应该相应地调整?我们如何有效地把握和评价新世纪以来的文学和文化现象?希望几位学者在这里提出的问题,能够引起文学界、学术界关注,进而将对话和讨论引向深入。
The state of literature and culture is not only a direct reflection of social practice but also a tortuous manifestation of the mental state of an era. Facing the commercialization of literature and the industrialization of culture, in the face of the impact of film, video and literature on literature, and in the face of the emergence of various emerging media, the younger generation has instinctively done in the market and on the Internet in the context of “globalization.” Out of their own response, resulting in a series of new literary and cultural issues, such as classic big talk, spoof of “fashion”, after 80 “phenomenon, the taste of the middle class” grassroots culture "symbol ... ... the economic foundation of society How can we interpret literary and cultural methods accordingly? How can we effectively grasp and appraise the literary and cultural phenomena in the new century? We hope that the problems raised by several scholars here will lead to literature Community, academia concerned, and then the dialogue and discussion in-depth.