论文部分内容阅读
在探讨民族化设计的过程中,一些食古不化的设计师滥用中国符号拼贴出不少生硬的东西。这些东西放在国内,业界通常以“消化不良”一笑置之。可把这些放到国际上展示,则未免贻笑大方。究竟以何种方式展现现代化进程中的中国,一直众说纷纭。随着中外交往的不断扩大和深入,我们展示国家和文化的机会也在增加。如何展示当代中国,是一个很迫切的学术问题。本期刊发的一篇文章,结合日本爱知世博会中国馆的观感,从个案分析的角度提出了自己的观点。
In discussing the process of nationalization design, some eroded designers abused Chinese symbols to collage many absurd things. These things on the domestic, the industry is usually “indigestion” smile. Put these can be put on the international show, it is ridiculously generous. It is always a question of how to present China in the process of modernization. With the continuous expansion and deepening of exchanges between China and foreign countries, our opportunities to show our country and culture are on the increase. How to show contemporary China is a very urgent academic issue. An article published in this issue, combined with the perception of the China Pavilion at Expo Aichi in Japan, presents its own point of view from the perspective of case analysis.