千百年来，中国历代声乐家们对民族唱法的特点和规律都曾作过精辟的论述。其中具有代表性的论著多半集中于元、明、清三代。元代燕南芝庵所著的《唱论》，明代朱权所著的《词林须知》，明代魏良辅所著的《曲律》，明代王骥德所著的《方诸馆曲律》，明代沈宠绥所著《度曲须知》 For thousands of years, Chinese vocal musicians have made incisive comments on the characteristics and laws of national singing. Most of the representative works focus on the Yuan, Ming and Qing Dynasties. “Singing Theory” written by Yan Zhizhi in the Yuan Dynasty, “Notes to Ci Lin” written by Zhu Quan in the Ming Dynasty, “Qu Fu” by Wei Liangfu in the Ming Dynasty, “Folk Songs of Fang Zu Pavilion” by Wang Jide in the Ming Dynasty, Shen Sui Sui, “degree notes”